Colour Theories – Inspired by the Palaeolithic
It’s difficult to recall the exact moment when I discovered Palaeolithic Art. I can only imagine I was at least partially exposed to it through the medium of art history, or television, or books. I remember as I delved more into this topic, being instantly hooked by the subtlety of colours in the brilliant, rust red bison and stunning horses.
It was a love affair that has lasted for eight years, and counting, and delving deep into this subject, I learned a lot about colour and mood, and how one intricately leads to the other.
The Solutrean Expression, 2012
While there’s no comparison between grinding earth, spittle and biological compounds with our easy squeezable plastic tubes, the qualities of those colours are no less obvious.
Yellow Ochre, Indian Red, Naples Yellow and Burnt Sienna are my palette staples; and here are just a few of their bold combinations.
Spiritual Cosmos, 2014
Cuba, 2016…a different subject for me, but still drawn to those dominant red and yellows! Privately Owned
Olomayio (Lion Hunter), 2015
To be influenced by the deep past is the best source of inspiration, and limiting yourself to just a handful of pigments is a perfect way of creating your own painting signature. Why choose from 50 pigments when our great-great-great (cont,) grandparents were happy with just those that they could work with their hands?
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